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Narrative Nonfiction LITERARY AND ART CRITICISM

The Tiny Bird that Could Save an Ecosystem
High Country News

Stopping the Old Rio Grande
New York Review / Nexos

Fighting for the Right to Come and Go
The New Yorker

When There’s no one to Attend to the Dead
The Nation

“You’re Living in a Tin Can”
High Country News

Enforcing Ecology: Geographies of the Cattle Fever Tick

Journal of the Southwest / Nexos

Checkpoint Dreams
New York Review / Nexos

Bringing up the Bodies
The Baffler

In Search of Answers at the Salton Sea
High Country News

A Tale of Two Climate Migrations
High Country News

Office of the Lost
The Guardian/High Country News

AMLO’s Politics of Wanting it, Badly
n+1

Can Indigenous Chileans Ever Return to Their Land?
The New Republic

Uncanny Rio Grande Valley
The Border Chronicle

Orange County, Colorado
Los Angeles Review of Architecture

A Sangre Fría: Fernanda Melchor and Veracruzano Modernism
European Review of Books

The Instagram Counter-Archive
Burlington Contemporary

What is a River? Three Visions of the Rio Grande
SFMOMA Open Space

America’s Gulag
The Border Chronicle

Sentinels and Sprawl
National Gallery of Art

A Cartography of Loss in the Borderlands
High Country News

The Ephemeral Forever
Shenandoah

A River Passes By Here
Kenyon Review Online

Agnes Martin’s World-Facing Grid
SFMOMA Open Space