“Starting with the 1933 creation of the Tennessee Valley Authority, US water development was underpinned by a new unit of management: the river basin. Instead of moving, living things connected from headwaters to mouth, rivers managed at the basin level became conduits for catchment and irrigation storage, their flow divided into segments considered and manipulated in isolation from one another.
...The IBWC’s Rio Grande dams came with an additional effect. By making vast reservoirs out of muddy shallows once easily crossed on foot, they turned the river into a physical border.”
...The IBWC’s Rio Grande dams came with an additional effect. By making vast reservoirs out of muddy shallows once easily crossed on foot, they turned the river into a physical border.”
Caroline Eaton Tracey writes about art, literature, environment, and migration in the US Southwest, Mexico, and the borderlands between the two. She speaks and works in English, Spanish, and Russian.
Currently, Caroline is the Climate Justice Fellow at the High Country News and an editor-at-large Zócalo Public Square. Her reporting appears in n+1, the Atlantic, the Nation, and elsewhere, as well as in Spanish in Mexico’s Nexos. Her reportage about migrant death in South Texas won the 2019 Scoundrel Time/Summer Literary Seminars nonfiction contest, and she was recently awarded the 2022 Waterston Prize for Desert Writing.
Caroline’s personal essays appear in the Kenyon Review Online, Full Stop, New South, and elsewhere. “A River Passes By Here” was runner-up in the 2020 Financial Times/Bodley Head essay contest and “The Ephemeral Forever” won Ruminate Magazine’s 2021 VanderMey Nonfiction Contest. Her art writing has appeared in Nexos, Variable West, SFMOMA’s Open Space, and Burlington Contemporary.
Caroline holds a PhD in Geography from the University of California, Berkeley. She lives with her wife, Mexican architect and sculptor Mariana GJP, between Tucson, Arizona and Mexico City.
She is currently seeking representation for her manuscript SALT LAKES, which combines personal narrative, ekphrasis, and scientific writing to provide a new, queer perspective on climate change in arid environments, and preparing a book proposal about the effects of US border and migration policy in Mexico.
Ask her about sugar beets.
Currently, Caroline is the Climate Justice Fellow at the High Country News and an editor-at-large Zócalo Public Square. Her reporting appears in n+1, the Atlantic, the Nation, and elsewhere, as well as in Spanish in Mexico’s Nexos. Her reportage about migrant death in South Texas won the 2019 Scoundrel Time/Summer Literary Seminars nonfiction contest, and she was recently awarded the 2022 Waterston Prize for Desert Writing.
Caroline’s personal essays appear in the Kenyon Review Online, Full Stop, New South, and elsewhere. “A River Passes By Here” was runner-up in the 2020 Financial Times/Bodley Head essay contest and “The Ephemeral Forever” won Ruminate Magazine’s 2021 VanderMey Nonfiction Contest. Her art writing has appeared in Nexos, Variable West, SFMOMA’s Open Space, and Burlington Contemporary.
Caroline holds a PhD in Geography from the University of California, Berkeley. She lives with her wife, Mexican architect and sculptor Mariana GJP, between Tucson, Arizona and Mexico City.
She is currently seeking representation for her manuscript SALT LAKES, which combines personal narrative, ekphrasis, and scientific writing to provide a new, queer perspective on climate change in arid environments, and preparing a book proposal about the effects of US border and migration policy in Mexico.
Ask her about sugar beets.
Caroline Eaton Tracey escribe sobre el arte, la literatura, el medioambiente y la migración en México, el Suroeste de Estados Unidos y la frontera entre ellos. Habla ingles, español y ruso.
Actualmente, Caroline cubre justicia climática para la revista High Country News y colabora como editora en Zócalo Public Square. Sus artículos aparecen en n+1, The Nation y The Atlantic, entre otros lugares. En español escribe frecuentemente sobre la frontera norte para Nexos. En 2019, un artículo suyo sobre el fallecimiento de migrantes en el desierto del sur de Texas ganó el premio de no ficción de Scoundrel Time/Summer Literary Seminars, y in 2022 ganó el Premio Waterston por Escritura del Desierto.
Sus ensayos aparecen en Kenyon Review Online, Full Stop y New South, entre otros lugares. “Aquí Pasa Un Río” ganó segundo lugar en el premio de ensayo Financial Times/Bodley Head de 2020; en 2021 “Lo Efímero, Para Siempre” ganó el concurso de no-ficción VanderMey de Ruminate Magazine. Sus reseñas y ensayos sobre el arte han aparecido en Nexos, Variable West, Open Space (plataforma del Museo de Arte Moderno de San Francisco) y Burlington Contemporary.
Caroline es Doctora en Geografía de la Universidad de California–Berkeley. Vive con su esposa, la arquitecta y escultora mexicana Mariana GJP, entre Tucson, Arizona y la Ciudad de México.
Actualmente está buscando publicar su manuscrito de no-ficción lírica sobre lagos salados y preparando una propuesta para un libro sobre los efectos de la política migratoria/fronteriza de Estados Unidos en México.
Pregúntale sobre betabeles.
Actualmente, Caroline cubre justicia climática para la revista High Country News y colabora como editora en Zócalo Public Square. Sus artículos aparecen en n+1, The Nation y The Atlantic, entre otros lugares. En español escribe frecuentemente sobre la frontera norte para Nexos. En 2019, un artículo suyo sobre el fallecimiento de migrantes en el desierto del sur de Texas ganó el premio de no ficción de Scoundrel Time/Summer Literary Seminars, y in 2022 ganó el Premio Waterston por Escritura del Desierto.
Sus ensayos aparecen en Kenyon Review Online, Full Stop y New South, entre otros lugares. “Aquí Pasa Un Río” ganó segundo lugar en el premio de ensayo Financial Times/Bodley Head de 2020; en 2021 “Lo Efímero, Para Siempre” ganó el concurso de no-ficción VanderMey de Ruminate Magazine. Sus reseñas y ensayos sobre el arte han aparecido en Nexos, Variable West, Open Space (plataforma del Museo de Arte Moderno de San Francisco) y Burlington Contemporary.
Caroline es Doctora en Geografía de la Universidad de California–Berkeley. Vive con su esposa, la arquitecta y escultora mexicana Mariana GJP, entre Tucson, Arizona y la Ciudad de México.
Actualmente está buscando publicar su manuscrito de no-ficción lírica sobre lagos salados y preparando una propuesta para un libro sobre los efectos de la política migratoria/fronteriza de Estados Unidos en México.
Pregúntale sobre betabeles.