photo: graciela iturbide
The Instagram Counter-Archive: Guadalupe Rosales, Graciela Iturbide, and Chicana Representation Across Borders
June 2021
Burlington Contemporary
“The afterlife of Iturbide’s East LA photographs aligns well with her perception of the work as an aesthetic fabrication, focused on formal qualities over ethnographic ones. The poetry and emotional reality of her images have enabled the community to claim and shape them as their own, long after Iturbide left town. The failure of the images as ethnographic, then, allows them to be folded into Chicana narratives and to confirm Rosales’s mission of self-representation. The artistic nature of Iturbide’s images grants a status of archivability that extends beyond the photographs’ frames. And the afterlives of the images demonstrate that it is not only representation itself that matters, but also the reclaiming and reframing of those representations made by outsiders.”
June 2021
Burlington Contemporary
“The afterlife of Iturbide’s East LA photographs aligns well with her perception of the work as an aesthetic fabrication, focused on formal qualities over ethnographic ones. The poetry and emotional reality of her images have enabled the community to claim and shape them as their own, long after Iturbide left town. The failure of the images as ethnographic, then, allows them to be folded into Chicana narratives and to confirm Rosales’s mission of self-representation. The artistic nature of Iturbide’s images grants a status of archivability that extends beyond the photographs’ frames. And the afterlives of the images demonstrate that it is not only representation itself that matters, but also the reclaiming and reframing of those representations made by outsiders.”
Caroline Eaton Tracey writes about the environment, migration, and the arts in the US Southwest, Mexico, and their borderlands. She speaks and works in English, Spanish, and Russian. Her first book, SALT LAKES, will be published by W.W. Norton.
Caroline’s reporting appears in the New Yorker, n+1, New York Review of Books, High Country News, and elsewhere, as well as in Spanish in Mexico’s Nexos.
In 2022 she was awarded the Waterston Prize for Desert Writing and in 2023 she received Columbia University’s Ira A. Lipman Fellowship in Journalism and Human and Civil Rights and a Silvers Foundation Work-in-Progress grant. In 2024, she received an Andy Warhol Foundation Arts Writers Grant.
Caroline holds a PhD in Geography from the University of California, Berkeley. She lives with her wife, Mexican architect and sculptor Mariana GJP, between Tucson, Arizona and Mexico City.
She is represented by Bridget Matzie of Aevitas Creative Management.
Caroline’s reporting appears in the New Yorker, n+1, New York Review of Books, High Country News, and elsewhere, as well as in Spanish in Mexico’s Nexos.
In 2022 she was awarded the Waterston Prize for Desert Writing and in 2023 she received Columbia University’s Ira A. Lipman Fellowship in Journalism and Human and Civil Rights and a Silvers Foundation Work-in-Progress grant. In 2024, she received an Andy Warhol Foundation Arts Writers Grant.
Caroline holds a PhD in Geography from the University of California, Berkeley. She lives with her wife, Mexican architect and sculptor Mariana GJP, between Tucson, Arizona and Mexico City.
She is represented by Bridget Matzie of Aevitas Creative Management.
Caroline Eaton Tracey escribe sobre el medioambiente, la migración, el arte y la literatura en México, el Suroeste de Estados Unidos y su frontera. Habla ingles, español y ruso. Su primer libro, SALT LAKES, será publicado bajo el sello de la editorial W.W. Norton.
Sus artículos aparecen en The New Yorker, n+1, New York Review of Books y High Country News entre otros lugares. En español escribe frecuentemente para la revista Nexos.
En 2022 ganó el Premio Waterston por Escritura del Desierto y en 2023 recibió la beca Ira A. Lipman de periodismo de derechos humanos y civiles de Columbia University y una beca de la Fundación Silvers. En 2024, recibió una beca para escritura sobre el arte de la fundación Andy Warhol.
Caroline es Doctora en Geografía de la Universidad de California–Berkeley. Vive con su esposa, la arquitecta y escultora mexicana Mariana GJP, entre Tucson, Arizona y la Ciudad de México.
La representa Bridget Matzie de la agencia literaria Aevitas Creative Management.
Sus artículos aparecen en The New Yorker, n+1, New York Review of Books y High Country News entre otros lugares. En español escribe frecuentemente para la revista Nexos.
En 2022 ganó el Premio Waterston por Escritura del Desierto y en 2023 recibió la beca Ira A. Lipman de periodismo de derechos humanos y civiles de Columbia University y una beca de la Fundación Silvers. En 2024, recibió una beca para escritura sobre el arte de la fundación Andy Warhol.
Caroline es Doctora en Geografía de la Universidad de California–Berkeley. Vive con su esposa, la arquitecta y escultora mexicana Mariana GJP, entre Tucson, Arizona y la Ciudad de México.
La representa Bridget Matzie de la agencia literaria Aevitas Creative Management.