caroline eaton tracey
writer

caroline.e.tracey at gmail dot com


“Defense played a role in starting the Malheur occupation as well: the Hammonds’ arson conviction fell under a provision of a federal law punishing terrorism. Conjuring sympathy for the militia, we might imagine that the militants and patriot organizations who got involved in the occupation did so out of shock that ranchers could be sent to jail, as terrorists, in the course of their job. And yet many who otherwise worry about the escalating security complex in this country have spun the conflict in terms of birdwatching.“








“Sympathy for the Oregon Militia”
Western Humanities Review
May 2017







Caroline Eaton Tracey writes about the US Southwest, Mexico, and the borderlands between the two. She speaks and works in English, Spanish, and Russian.

Caroline’s reporting appears in n+1, the Nation, the Guardian, and elsewhere. In Spanish she covers the US-Mexico borderlands for Mexico’s Revista Nexos. Her reportage about migrant death in South Texas won the 2019 Scoundrel Time/Summer Literary Seminars nonfiction contest. 

Her personal essays appear in the Kenyon Review Online, Full Stop, New South, and elsewhere. “A River Passes By Here” was runner-up in the 2020 Financial Times/Bodley Head essay contest; “The Ephemeral Forever” won Ruminate Magazine’s 2021 VanderMey Nonfiction Contest.

Her art writing has appeared in Nexos, Variable West, SFMOMA’s Open Space, and Burlington Contemporary.

She is currently revising a manuscript of essays and preparing a book proposal about the effects of US border and migration policy in Mexico.

Ask her about sugar beets.
Caroline Eaton Tracey escribe sobre la geografía de México, el Suroeste de Estados Unidos y la frontera entre ellos. Habla ingles, español y ruso.

Sus artículos aparecen en n+1, The Nation y The Guardian, entre otros lugares. En español cubre la frontera norte para la Revista Nexos. En 2019, un artículo suyo sobre el fallecimiento de migrantes en el desierto del sur de Texas ganó el premio de no ficción de Scoundrel Time/Summer Literary Seminars. 

Sus ensayos aparecen en Kenyon Review Online, Full Stop y New South, entre otros lugares. “Aquí Pasa Un Río” ganó segundo lugar en el premio de ensayo Financial Times/Bodley Head de 2020; en 2021 “Lo Efímero, Para Siempre” ganó el concurso de no-ficción VanderMey de Ruminate Magazine. 

Sus reseñas y ensayos sobre el arte han aparecido en Nexos, Variable West, Open Space (plataforma del Museo de Arte Moderno de San Francisco) y Burlington Contemporary.

Actualmente está preparando un manuscrito de ensayos y una propuesta para un libro sobre los efectos de la política migratoria/fronteriza de Estados Unidos en México. 

Pregúntale sobre betabeles.