“Bhatt’s response was dismissive—equivalent to that familiar schoolyard taunt, ‘So sue me.’ And that’s exactly what the residents did. On a sunny morning in early July, some 60 protesters gathered outside the federal courthouse in downtown Denver wearing blue T-shirts that read, ‘Ditch the Ditch,’ for a press conference announcing a lawsuit against the Federal Highway Administration.“
“Redlining Returns to Denver, but with a Neoliberal Twist”
The Nation
July 2017
“Redlining Returns to Denver, but with a Neoliberal Twist”
The Nation
July 2017
Caroline Eaton Tracey writes about the environment, migration, and the arts in the US Southwest, Mexico, and their borderlands. She speaks and works in English, Spanish, and Russian. Her first book, SALT LAKES, will be published by W.W. Norton.
Caroline’s reporting appears in the New Yorker, n+1, New York Review of Books, High Country News, and elsewhere, as well as in Spanish in Mexico’s Nexos.
In 2022 she was awarded the Waterston Prize for Desert Writing and in 2023 she received Columbia University’s Ira A. Lipman Fellowship in Journalism and Human and Civil Rights and a Silvers Foundation Work-in-Progress grant. In 2024, she received an Andy Warhol Foundation Arts Writers Grant.
Caroline holds a PhD in Geography from the University of California, Berkeley. She lives with her wife, Mexican architect and sculptor Mariana GJP, between Tucson, Arizona and Mexico City.
She is represented by Bridget Matzie of Aevitas Creative Management.
Caroline’s reporting appears in the New Yorker, n+1, New York Review of Books, High Country News, and elsewhere, as well as in Spanish in Mexico’s Nexos.
In 2022 she was awarded the Waterston Prize for Desert Writing and in 2023 she received Columbia University’s Ira A. Lipman Fellowship in Journalism and Human and Civil Rights and a Silvers Foundation Work-in-Progress grant. In 2024, she received an Andy Warhol Foundation Arts Writers Grant.
Caroline holds a PhD in Geography from the University of California, Berkeley. She lives with her wife, Mexican architect and sculptor Mariana GJP, between Tucson, Arizona and Mexico City.
She is represented by Bridget Matzie of Aevitas Creative Management.
Caroline Eaton Tracey escribe sobre el medioambiente, la migración, el arte y la literatura en México, el Suroeste de Estados Unidos y su frontera. Habla ingles, español y ruso. Su primer libro, SALT LAKES, será publicado bajo el sello de la editorial W.W. Norton.
Sus artículos aparecen en The New Yorker, n+1, New York Review of Books y High Country News entre otros lugares. En español escribe frecuentemente para la revista Nexos.
En 2022 ganó el Premio Waterston por Escritura del Desierto y en 2023 recibió la beca Ira A. Lipman de periodismo de derechos humanos y civiles de Columbia University y una beca de la Fundación Silvers. En 2024, recibió una beca para escritura sobre el arte de la fundación Andy Warhol.
Caroline es Doctora en Geografía de la Universidad de California–Berkeley. Vive con su esposa, la arquitecta y escultora mexicana Mariana GJP, entre Tucson, Arizona y la Ciudad de México.
La representa Bridget Matzie de la agencia literaria Aevitas Creative Management.
Sus artículos aparecen en The New Yorker, n+1, New York Review of Books y High Country News entre otros lugares. En español escribe frecuentemente para la revista Nexos.
En 2022 ganó el Premio Waterston por Escritura del Desierto y en 2023 recibió la beca Ira A. Lipman de periodismo de derechos humanos y civiles de Columbia University y una beca de la Fundación Silvers. En 2024, recibió una beca para escritura sobre el arte de la fundación Andy Warhol.
Caroline es Doctora en Geografía de la Universidad de California–Berkeley. Vive con su esposa, la arquitecta y escultora mexicana Mariana GJP, entre Tucson, Arizona y la Ciudad de México.
La representa Bridget Matzie de la agencia literaria Aevitas Creative Management.